Food & Beverage 3įirst of all, we want to award a point to Chesapeake Energy Arena for the very witty basketball-themed names of their concession stands … Slam Burger (hamburgers), Fast Break (the generic food concessions store), the Full Court Press (grilled cheese sandwiches) and the Alley Coop (chicken). This forced the city to quickly extend a tax to fund the nearly $121 million in needed improvements. At the time, the arena did not meet minimum NBA standards in several areas. The team was sold to an Oklahoma City businessman, with the team beginning play in Oklahoma City in 2008. That opportunity arose in 2006 when the Seattle Supersonics could not come to an agreement with the city of Seattle on improvements to the Key Arena or the building of a new arena. This opened the NBA’s eyes towards the awarding or transferring a team to Oklahoma City in the future. The city welcomed the team with open arms and crowds averaging more than 18,000 over the years the team played in the city. This forced the team to relocate on very short notice to Oklahoma City and what was then the Ford Center. Hurricane Katrina caused massive damage to the New Orleans Hornets arena. The story behind the Chesapeake Arena becoming an NBA venue is an unusual one in that it “auditioned” for the role. These include early rounds of the Men’s NCAA Basketball Tournament (2010, 2016), the Big 12 Men’s Basketball Tournament, annual visits by the PBR Rodeo circuit and the 2014 NCAA Division I Men’s Wrestling Championships. In addition to the Thunder games, the Chesapeake Arena has hosted many other major sports events. The arena seats 18,203 in its basketball configuration, including 3,380 club seats, seven party suites and forty-nine private suites. It opened in 2002 and operated as the Ford Center through 2010, when it became the Chesapeake Energy Arena through a 12-year naming rights agreement. In that period, the Chesapeake Energy Arena (we will refer to it as the Chesapeake Arena, as that is what the locals call it) has hosted two different franchises. NBA basketball has been played in Oklahoma City since 2005. ![]() ![]() Note: Chesapeake Energy Arena became Paycom Arena in July 2021 after a naming rights change.
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We can see this usage biblically when Jesus asks, "What does it profit a man to gain the whole world but forfeit his soul?" To gain the whole world but, ultimately, lose one's life in the process compare, "Whoever seeks to gain their life shall lose it, but whoever forsakes his life shall find it". That usage of "soul" to mean "life" was common in antiquity even as it is now, as we might say, "a lot of souls were lost in that accident" we mean people lost their lives, they died. And nobody can take that away from what it means to be human, because being human is by God's creative work, who made human beings in His image and likeness.Ĭlick to expand."Every living soul" sounds like "everything that was alive" to me. All these things are intrinsic to human beings as human beings though: we are rational animals, we are creatures of flesh, bone, blood, with a mind, with thought, reason, intellect, consciousness, with a will, with moral agency, and the capacity to worship God. These ideas tend to get subsumed into the idea of "the soul" in typical Christian thought historically. The concept of "the soul" does tend to be more than mere breath though, at least in reference to human beings, as we often can find (though not in Scripture itself) the idea of the "rational soul" in other words human beings don't simply have basic "animal life", we are creatures of mind, reason, thought, we are also creatures of moral agency and so forth. It's impossible for a person to not "have a soul", because human beings are living, breathing creatures. In Latin we have anima, "breath", and is the basis for our English words like animal, animating, etc. Likewise the Greek of the New Testament has psyche, meaning "breath", but again often rendered as "soul". So in Genesis chapter 2 where we read that God took a lump of dirt and breathed into the nostrils of man and man became a "living soul" the Hebrew here is "nephesh chayah", a "breathing, living creature" (nephesh means "breath" and is often rendered as "soul", chayah means "living ". The idea that human beings have this thing called a "soul" floating somewhere inside them, or that comprises the "real" person is entirely foreign from Scripture and historic, orthodox Christian teaching.Īnd if one wants to be really technical, everything that has breath has a "soul", as that's what the words translated as "soul" in the Bible mean, they mean "breath". Even more than that, no where in the Bible does it say that people "have souls", that just isn't the kind of language Scripture uses, and it's now how the biblical writers conceived of "the soul". However, it does show that there seems to be at least one more person - with whom I am not acquainted (the person who added this into the movie) - who is familiar with the idea.ĭoes anyone know if this is mentioned anywhere in the Bible? Have I simply missed it? If not, where does it come from and why? I would very much like to know.Ĭlick to expand.No, the Bible doesn't mention "people without souls". Even if I have, a fictional movie is hardly a good source for important information – especially biblical - and it is unlikely that I would have just accepted it as fact. The only mention I have found on the internet to this is in the description of an older fictional end times movie that I don’t think I have ever watched. I know it can’t be just me, because I have had more than one person bring it up in conversation – though one person identified the sign as some children being born without souls. ![]() On going back, I cannot find this mentioned anywhere digital Bible word searches and search engines have not yielded any such verses. I thought I read in the book of Revelation that in the end of times there would be people without souls. Combining Slices is also a breeze: Just select two or more slices and choose Combine Slices under the Slices menu. They can also be automatically created from Guides or a Selection. Slices can be duplicated by selecting the Duplicate command found in the Slices menu. Using the Slice tool and the Slice Select tool, you can cut up your Web page and rebuild it as you see fit. ImageReady 2.0 introduced Slices, editable boxes that allow you to designate filename and optimization settings for each individual area. Using ImageReady to its fullest potential means smoother sailing when it comes time to export graphics into an HTML environment such as Adobe GoLive 4.0. ImageReady 2.0 can now be found as a component of Photoshop 5.5 and is no longer sold separately. To address the problem, Adobe developed an application specifically designed to slice and optimize Web graphics - Adobe ImageReady. ![]() Relying solely on tools such as Debabelizer to optimize the manually sliced Web graphics, we would then proceed to recreate the layout in an HTML page, piecing the slices back together as if we were putting together a jigsaw puzzle - and having almost as much fun. First we had to plan out how the Photoshop build was to be split up or sliced so that each slice fit nicely with the arrangement of the HTML table layout. ![]() A few years ago, one of the truly tedious tasks for a Web designer/producer was the creation and optimization of Web graphics. ![]() Funimation acquired the rights shortly thereafter and began dubbing the uncut 67 episodes of the first two seasons with their own in-house talent. In 2004, after Pioneer had become Geneon, the company lost distribution rights to the first two seasons. Funimation only had rights to distribute season three onwards. Originally, Pioneer Entertainment, later Geneon, had initial rights to distribute the first two seasons of Dragon Ball Z and released them on VHS and DVD. Re-dubbed episodes and movies (2005-2009) These episodes were completely uncut, with none of the edits made for the television broadcasts (such as Frieza coughing blood twice and Krillin swelling up before exploding). One notable difference was Sabat's initial Drummond-like voice progressing into his much deeper and more gruff voice for Vegeta by the time of the Majin Buu Saga.įunimation released their dub of the series on Individual Discs, each one containing three or four episodes. In order to maintain continuity between the two dubs, several Funimation voice actors made an effort to imitate the previous Ocean Studios voice actors, such as Sean Schemmel's originally high-pitched voice as Goku similar to Peter Kelamis, and Christopher Sabat's imitation of Brian Drummond as Vegeta, though they slowly developed their performances into their own independent voices as the series progressed. Though fans reacted warmly to the series' English dub continuing, it received some harsh criticism regarding the sudden change of voices and background music, as well as for the dialogue, which contained some awkward or immature-sounding lines which would be changed when the series was remastered. Unlike the Ocean dub, the Funimation dub was far less censored due to Saban's absence from the production and retained most of the mature content featured in the Japanese version. All the episodes from 54 (68 uncut) to 276 (291 uncut) were dubbed by FUNimation, and were broadcasted with that dub on Toonami from 1999 to 2003. Bruce Faulconer and his team of musicians were hired as the new composers, with their soundtrack continuing the synth/rock style of music heard in the Saban score. Worth, Texas, to dub the rest of the series. Therefore, from episode 54 onward (the beginning of season 3), Funimation began using their own in-house talent, based in Ft. However, Funimation had stopped working with Saban and without the latter's financial support, the former could no longer afford the services of the cast at Ocean Studios nor could they afford the original musical score produced by Saban. In late 1998, reruns of the canceled edited version of Dragon Ball Z found a new and consistent audience on Cartoon Network's Toonami block, and the decision was made to continue dubbing the series. That same year Funimation and Pioneer released the first three unaltered, dubbed-in-English Dragon Ball Z movies ( Dead Zone, The World's Strongest and The Tree of Might), with the Ocean cast reprising their roles. It premiered in the fall of 1996 in first-run syndication, but was canceled in 1998 after two seasons. ![]() Due to pressure from Saban, Funimation were forced to edit out all mentions of death (usually replacing it with the term ' the next dimension') and any overly violent moments (via the use of digital paint). ![]() The first 67 Dragon Ball Z episodes, which were dubbed in English, were so heavily edited for content as well as length that the first 67 episodes were edited down to 53 episodes. The role of music was outsourced to Saban musicians Shuki Levy and Ron Wasserman, whose darker guitar-driven synth score replaced the original orchestral score by Shunsuke Kikuchi. When the decision to produce Dragon Ball Z in North America was made, Funimation collaborated with Saban Entertainment to finance and distribute the series to television they sub-licensed home video distribution to Pioneer Entertainment (later known as Geneon Universal Entertainment) and contracted Ocean Studios to dub the anime in English, with Funimation overseeing the dub's production. Main articles: Ocean Group dubs and Dragon Ball Z: Rock the Dragon Edition History Funimation's collaboration with Ocean, Saban and Pioneer (1996-1998)
![]() The term literally translates as ‘ship camp’, and the most traditional definition of a longphort by historians would be a temporary base used primarily for. A historical survey of the Viking longphort at Linn Duachaill (Annagassan), a preliminary report on a trial excavation of the site, and a brief description. ![]() Like rhubarb and strawberries, apple pie and cheese, roast pork and sage, the two tastes and textures meld together into the sort of subtle transcendental oneness that we once fantasized would be our experience when we finally found the ideal mate. But with the help of a geographer using tomography we now think this was a longphorta Viking construction only found in Ireland during the early Viking age, and very similar to English Viking. The term longphort was used by medieval Irish chroniclers to refer to many different types of sites even early Dublin was called a longphort. Dublin Castle in Viking times, Viking Boat, Round tower at Glendalough. Although it can be assumed that the longphorts were used as bases for Viking raids, it is clear that the term had multiple meanings and that these sites had multiple purposes. “Rice and peas fit into that category of dishes where two ordinary foods, combined together, ignite a pleasure far beyond the capacity of either of its parts alone. longphuirt) is a term used in Ireland for a Viking ship enclosure 1 or shore fortress. That is why they insist upon their continuitytheir links with their dead and the unborn. Every year, on the first Sunday in August, the replica of an 11th-century Viking longboat sails up the river Ulla to the. Those who dismiss names as a detail have never been displaced but the peoples on the peripheries are always being displaced. “All nationalisms are at heart deeply concerned with names: with the most immaterial and original human invention. The Longphort Phenomenon: In Early Christian and Viking Ireland. We have turned them into petty and ridiculous things. We have infected the pictures in museums with all our stupidities, all our mistakes, all our poverty of spirit. “ Museums are just a lot of lies, and the people who make art their business are mostly imposters. An alliance should be hard diplomatic currency, valuable and hard to get, and not inflationary paper from the mimeograph machine in the State Department. In the 9th century, Viking armies are recorded raiding (and in some cases conquering) in Britain, Ireland and the. A great power like the United States gains no advantage and it loses prestige by offering, indeed peddling, its alliances to all and sundry. ![]() It is not made stronger by adding weak links to it. Sacrifice your Thralls to 5 different Gods for unique bonuses.Įxperience the life on the Viking settlement of Dublin as you carve your way through 30 years of history.Famous quotes containing the words links to, museums, links, viking and/or ship: Be careful, the more you raid the more prepared your enemies will be. Randomly generated targets between 5 duchies means no two games are the same. The Vikings established a second settlement at Dublin close to the first longphort of 841. Take your crew on raids in search of gold, slaves and glory, but beware the locals. 1900: Viking longphort to Victorian city by Dr Eamon OFlaherty, Jennifer Moore from Waterstones today Click and Collect from your local Waterstones or get. Upgrading each brings different bonuses, from a larger ship for more crew to new armour and weapons to worshipping more Gods.Īssemble your crew, hire Vikings of various levels with 5 different specialist backgrounds, train them, care for them and equip them with weapons and armour, be it a bulking Viking with plate armour and a war hammer or a thief clad in leather and a crossbow. Choose where to invest your gold and slaves from your Longhall, Tavern, Blacksmith, Shrine and Dock. You can also follow us for instant tech news at Google News or for tips and tricks, smartphones & gadgets reviews, join GadgetsToUse Telegram Group or for the latest review videos subscribe GadgetsToUse Youtube Channel. + Easy text editing: After converting images to text, you can proceed to edit. + Support scanning the above images containing 20 different languages. + Text scanning results are saved in the application’s storage directory. Anyways, which method do you find useful? Do share me in the comments below. Published on Nov 12, 2017This video is about How to convert image to text on mobile,And it is the latest ocr app for Android 2019 if u want to knowhow To Con. The functions of Text Scanner OCR Image to Text Converter: + Convert images to text fast, simple with high accuracy. EXTENDED camera functions use everything you need for a perfect photo. MOBILE SCANNER capture the text from printed sources. Fast and easy way to get the editable text. There are other ways too, but I find these three methods to be the easiest of all. Download OCR Image to Text Converter APK 2.8 (Free Download) - Mobile App for Android - App Suite - Latest Version 2022 - Updated. Business cards, documents, magazines and books - scan it all. The app enables the camera to take pictures of printed material. These were quick ways to copy text from images on your Android phone, iPhone, and PC. The KNFB Reader is a print to speech application that runs on iOS or Android mobile device.
It was also able to discriminate reads from closely related viruses in mixtures. It can be used to determine full-length genome sequences through de novo assembly of thousands of reads. The method was assessed on a panel of EV-Cs belonging to a wide-range of types. The four amplicons were then pooled and purified prior to being sequenced by a high-throughput technique. Four overlapping fragments were produced separately by RT-PCR performed with generic primers. A simple method was developed to quickly sequence the entire genome of EV-C isolates. Therefore, identification and characterization of circulating EV-C strains require the sequencing of different genomic regions. Biodiversity and evolution of EV-C genomes are shaped by frequent recombination events. ![]() Enterovirus species C (EV-C) consists of more than 20 types, among which the three serotypes of polioviruses, the etiological agents of poliomyelitis, are included. Nature 485, 635–641 (2012).Enteroviruses are among the most common viruses infecting humans and can cause diverse clinical syndromes ranging from minor febrile illness to severe and potentially fatal diseases. M., The tomato genome sequence provides insights into fleshy fruit evolution. J., Choi D., Rogers J., Fei Z., Giovannoni J. T., Fukuoka H., Chattopadhyay D., van Ham R. J., Butcher S., Kumar Singh N., Schiex T., Bouzayen M., Granell A., Carrari F., De Bellis G., Giuliano G., Bryan G., van Eijk M. A., Huang S., Du Y., Li C., Cheng Z., Zuo J., Han B., Wang Y., Ling H., Xue Y., Ware D., Richard McCombie W., Lippman Z. M., Beasley H., McLaren K., Nicholson C., Riddle C., Gianese G., Sato S., Tabata S., Mueller L. A., Vezzi A., D’Angelo M., Zimbello R., Schiavon R., Caniato E., Rigobello C., Campagna D., Vitulo N., Valle G., Nelson D. ![]() B., Elharam M., Fu Y., Hua A., Kenton S., Lewis J., Lin S., Najar F., Lai H., Qin B., Qu C., Shi R., White D., White J., Xing Y., Yang K., Yi J., Yao Z., Zhou L., Roe B. H., Wang X., Tang H., Barone A., Luisa Chiusano M., Raffaella Ercolano M., D’Agostino N., Di Filippo M., Traini A., Sanseverino W., Frusciante L., Seymour G. K., Dalmay T., Mohorianu I., Walts B., Chamala S., Brad Barbazuk W., Li J., Guo H., Lee T.-H., Wang Y., Zhang D., Paterson A. J., Angel Botella M., Gilbert L., Gonzalez R., Luis Goicoechea J., Yu Y., Kudrna D., Collura K., Wissotski M., Wing R., Schoof H., Meyers B. A., Rogers J., Knapp S., Fei Z., White R. J., Jiang G., Droege M., Choi D., Kang B.-C., Dong Kim B., Park M., Kim S., Yeom S.-I., Lee Y.-H., Choi Y.-D., Li G., Gao J., Liu Y., Huang S., Fernandez-Pedrosa V., Collado C., Zuñiga S., Wang G., Cade R., Dietrich R. D., Fukuoka H., Negoro S., Bhutty S., Chowdhury P., Chattopadhyay D., Datema E., Smit S., Schijlen E. J., Jo S.-H., Kim J., Kwon S.-Y., Kim S., Koo D.-H., Lee S., Hur C.-G., Clouser C., Rico A., Hallab A., Gebhardt C., Klee K., Jöcker A., Warfsmann J., Göbel U., Kawamura S., Yano K., Sherman J. C., van Oeveren J., de Heer P., daPonte L., Jacobs-Oomen S., Cariaso M., Prins M., van Eijk M. J., Butcher S., Lopez-Cobollo R., Buchan D., Filippis I., Abbott J., Dixit R., Singh M., Singh A., Kumar Pal J., Pandit A., Kumar Singh P., Kumar Mahato A., Dogra V., Gaikwad K., Raj Sharma T., Mohapatra T., Kumar Singh N., Causse M., Rothan C., Schiex T., Noirot C., Bellec A., Klopp C., Delalande C., Berges H., Mariette J., Frasse P., Vautrin S., Zouine M., Latché A., Rousseau C., Regad F., Pech J.-C., Philippot M., Bouzayen M., Pericard P., Osorio S., Fernandez del Carmen A., Monforte A., Granell A., Fernandez-Muñoz R., Conte M., Lichtenstein G., Carrari F., De Bellis G., Fuligni F., Peano C., Grandillo S., Termolino P., Pietrella M., Fantini E., Falcone G., Fiore A., Giuliano G., Lopez L., Facella P., Perrotta G., Daddiego L., Bryan G., Orozco M., Pastor X., Torrents D., van Schriek M. D., Camara F., Guigó R., Rombauts S., Fawcett J., Van de Peer Y., Zamir D., Liang C., Spannagl M., Gundlach H., Bruggmann R., Mayer K., Jia Z., Zhang J., Ye Z., Bishop G. B., Chia J.-M., Jiang K., Pasternak S., Gelley L., Kramer M., Anderson L. J., Ribeca P., Alioto T., Yang W., Huang S., Du Y., Zhang Z., Gao J., Guo Y., Wang X., Li Y., He J., Li C., Cheng Z., Zuo J., Ren J., Zhao J., Yan L., Jiang H., Wang B., Li H., Li Z., Fu F., Chen B., Han B., Feng Q., Fan D., Wang Y., Ling H., Xue Y., Ware D., Richard McCombie W., Lippman Z. A., Menda N., Strickler S., Mao L., Gao S., Tecle I. Sato S., Tabata S., Hirakawa H., Asamizu E., Shirasawa K., Isobe S., Kaneko T., Nakamura Y., Shibata D., Aoki K., Egholm M., Knight J., Bogden R., Li C., Shuang Y., Xu X., Pan S., Cheng S., Liu X., Ren Y., Wang J., Albiero A., Dal Pero F., Todesco S., Van Eck J., Buels R. „ esst obst“ – EP on stetzer (Frankfurt 1998) „.but especially great – above all – is the tremendously relaxed attitude of the short and very catchy melodies on trumpet and melodica varying over time in all tracks without losing the tension.One notices: real skilled dubbers with plenty of dedication at work – true artists that always remained fans.“ (intro on QDD) Quasi-Dub.“ ( de:bug on QUASI DUB DEVELOPMENT) Blumm, Luca Fadda and Alessandro Coronas obviously have fun with their (musik express on „bobby and blumm – everybody loves“) the most beautiful album that has ever been released on Morr Music.“ ![]() „Blumm has chord progressions in his luggage that you can only tremble with the ears …. ( notes-mag/pony-mag on „bobby and blumm – everybody loves“) „.clever without being showy, and comfortable without being bland, Sack & Blumm make warm and welcoming music.“ (wire on „sack & blumm – returns“) Really a good record! Joy!“ (spex on „f.s.blumm meets luca fadda“) „.a relaxed, truly great, the whole world breathing, harmonic album. (.) It feels like stumbling into the middle of a private embrace.“ (pitchfork on „bobby and blumm – a little big“) His flickering arpeggios suit Blixt’s airy voice perfectly. ![]() „Blumm is instantly recognizable (.) His knack for rococo, effortless-feeling melodies is in his playful guitar work, which dominates the album. Please more like this.“ (de:bug on „f.s.blumm & nils frahm“) „Blumm hopefully will never stop making music.“ (spex) „So here I go, ready to launch into my anti-Blumm harangue and release 12-plus years of embitterment when…aw shucks, Blumm done tugged on my heartstrings, again. „there’s really no dip in quality among the ten tracks here, and each sounds so nice it’s hard to imagine anyone not liking them, whatever their musical background. so refreshingly different and heartbreaking that one would like to to spend days, turning around every single note and gaze at it in admiration like glittering glass marbles.“ (intro) Music that seems to talk with their instruments, so they can get out of themselves.“ (de:bug) always arranged with plenty of space each of the pieces is a small gold-piece of optimism. „.people with ideas have no crises.“ (Der Spiegel) „.why is Frank Schültge not a superstar yet? While in virtually every review of his numerous solo works appears one of the greatest compliments to music: the link with the utopia of a nicer or better world.“ (spex) „.the reason why it is so difficult to file FS Blumm, also lies in the fact that his music hardly recalls anything comparable.“ (Die Zeit) „Frank Schültge Blumm must be a happy man.“ (spex) „.those who work reduced can not afford trivialities…“ (taz) „.if you need to talk about this music, then you should do it whispering, telling each other how beautiful it really is.“ (de:bug) „.his song miniatures have something soothing and shine in their simplicity and breathtaking clarity.“ (intro) „.also to be applauded is the sophistication of Blumm’s arrangements… Blumm’s skilful layering and placement of instruments in the soundfield is extremely impressive.“ (wire) „.the man makes some damn charming music.“ (pitchfork) – live radio play performances with Stefan Kaminski, Britta Steffenhagen, Christian Berner a.o.ġ998: scholarship from ‘Literarisches Colloquium Berlin‘Ģ0: project- and scriptgrant from Filmstiftung-Nordrhein-WestfalenĢ011: production of interactive childrens-audio-guide for the Jewish-Museum-BerlinĢ014: second prize at ‚Berliner Hörspielfestival‘ for „Der Hörspielmacher“Ģ015: first prize at ‚Jenaer Hörspielfestival‘ for „Der Goldene Zufall“Ģ016: first prize at ‚Berliner Hörspielfestival‘ for „Annette, Rolf und der Gesprächsbedarf“Ģ018: ‚Beste Sendung‘ (Deutscher Radiopreis) for ‚radioeins radio show‘ (including Schültge/Berner live radio play) – live performances in Canada, USA, Mexiko, Japan, India, Bangladesh and within Europe ![]() – collaborations with Harald „Sack“ Ziegler, Nils Frahm, Ellinor Blixt, Jeff Özdemir, Andi Otto, David Grubbs, Lee „Scratch“ Perry, Lady Ann a.o. Morr music, karaoke kalk, sonic pieces, staubgold, pingipung, teto, tokuma a.o. – 1996 final exam in „fluxus and interdisciplinary art-movements“ – 1989 studying art, music & educational-science at university Bremen Solution 2: Use Keyboard Copy and Paste Shortcuts ![]() Of course, you can also copy and paste a picture or even video from another browser to see if the copy and paste feature works well on this browser. After that, open a document and then right click to Paste to see if the text is copied and can be pasted. Then select a part of the text and then right click it to Copy the text.Ģ. Open Firefox, or Opera, or Microsoft Edge, or Internet Explorer and navigate to a website. So you can move on to easily fix the copy-paste error by troubleshooting the browser extension issues.ġ. If you find the clipboard on other browsers like Firefox clipboard can be accessed, it means that there are problems with your browser. Since some of you meet with “sorry, no manipulations with clipboard” or “your browser can’t access the clipboard” when copying and pasting on a browser like Google Chrome, you can check whether all browsers disable you from using the copy-paste feature. Solution 1: Try to Copy and Paste in another Browser 3: Add Copy-and-paste Plug-in to Browsers.2: Use Keyboard Copy and Paste Shortcuts.1: Try to Copy and Paste in another Browser.Here are some practical solutions that can help you regain the feature of copy and paste. Usually, other programs allow you to use the copy and paste functions, but you can neither copy nor paste since you can’t access the clipboard. When you try to copy a paragraph of text from Google Chrome and then paste it into a document, it prompts that “Your browser can’t access the clipboard”. You may run into this browser clipboard issue on a single browser or all browsers. If you stumble upon “Sorry, no manipulations with clipboard allowed” on Mac or Windows 10, 8, 7, see “How to Fix ‘Sorry, no manipulations with clipboard allowed’ on Windows and Mac” to get specific solutions to deal with this copy and paste issue on the system. If you find this copy-paste error occurs only to a browser or browsers like Google Chrome and you can copy and paste on any other program, see “How to Fix Browser Can’t Copy and Paste”. If you encounter “Your browser can’t access the clipboard” (such as on Chrome, Firebox, and Internet Explorer), check whether you can copy and paste in other programs like Office Word or even Gaming software. ![]() To help you fix this copy-paste error with targeted solutions, this post will show you different ways to resolve the copy-paste problem on the whole system or in the browser or any other stand-alone program exclusively.īefore you start, please check: (That is also to save your time and recommend more customized and powerful solutions for you) That is to say, such clipboard error as “sorry, no manipulations with clipboard allowed” may happen to all the PC or a single program, particularly, the browser like Firefox clipboard. Or to make things worse, the system does not allow clipboard access, so you are unable to copy and paste using your PC. The copy and paste features stop working in Google Chrome, Firefox, or other programs. Unfortunately, some users may get the warning that “ Your browser can’t access the clipboard” or “ Sorry, no manipulations with clipboard allowed” Mac. You don't have to remember which side of A to put the permutation matrix, nor whether to use a transpose operation.Īn application: Order of effects in a regression model The second syntax specifies the order of the rows. If you multiply A on the left (Q`*A), you permute the rows, as shown:Ī = shape ( 1: 25, 5, 5 ) /*, the first syntax means, "copy the columns in the order, 3, 5, 2, 4, and 1." I think this definition is easier to use.) If you multiply A on the right (A*Q), you permute the columns. (The permutation matrix is the transpose of the matrix that I used in the previous article. The following example defines a 5 x 5 matrix, A, with integer entries and a function that creates a permutation matrix. If you use matrix multiplication to permute columns of a matrix, you might not remember whether to multiply the permutation matrix on the left or on the right, but if you use subscripts, it is easy to remember the syntax. Subscripts enable you to permute rows and columns efficiently and intuitively. I ended the article by noting that "there is an easy alternative way" to permute rows and columns: use subscript notation. A previous article shows how to create a permutation matrix and how to use it to permute the order of rows and columns in a matrix. Permutation matrices have many uses, but their primary use in statistics is to rearrange the order of rows or columns in a matrix. Instead, use elementwise multiplication of rows and columns. That article recommends that you never multiply with a large diagonal matrix. Which discusses an efficient way to use diagonal matrices in matrix computations. The advice is similar to the tip in the article, "Never multiply with a large diagonal matrix," This article explains why it is not necessary to multiply by a permutation matrix in a matrix language. ![]() Never multiply with a large permutation matrix! Instead, use subscripts to permute rows and columns. Do you ever use a permutation matrix to change the order of rows or columns in a matrix? Did you know that there is a more efficient way in matrix-oriented languages such as SAS/IML, MATLAB, and R? |
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